Julie Rose Bower: The Foley Explosion Review- An Enjoyable Experience
The Foley Explosion is a hard show to classify. One-part theatrical production and one-part experimental concert, with just a hint
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Culture
1961 posts
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman Review
The title itself should be a giveaway, but yes this was a piece about menstruation. It promised to showcase the
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Adventures For A Lifetime- Review
‘It’s something more important and more profound, too. Tapping into your sense of adventure, feeding it and letting it
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Interview: Ahead of VETO's Helter Skelter
Ahead of their latest production, we caught up with Mike Narouei ahead of the new VETO production Helter Skelter. Article
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Lancaster Graduate wins the first Lancaster Playwriting Prize
This autumn, the Dukes in Lancaster hosted the first ever Lancaster Playwriting Prize, in partnership with the Department for English
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ROH: Mayerling Live Broadcast Review: Dark, dangerous and daring
The Royal Ballet first performed Mayerling in London in 1978, and it is now once again gracing cinema screens across
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Artist Spotlight: Gillian Flynn
For Gillian Flynn, American author and screenwriter, the state she grew up in is as much a character in her
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Spamalot Review- It put's a smile on your face
Lovingly ripped off from Monty Python’s The Holy Grail, Spamalot promised to provide a hilarious afternoon’s entertainment, however,
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Book Club: Autumn by Ali Smith
This month we’ve been reading Ali Smith’s Autumn, a Man Booker Prize finalist which has been heralded for
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Ellie Dubois: No Show Review- Deconstructing the Audience’s Gaze
No Show closes the distance between the audience and the performer. Director Ellie Dubois turns her critical gaze towards the
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Footlight's Dracula Review- slightly disappointing
Footlight’s performance of Dracula at The Grand is a fast-paced horror that faithfully adapts Bram Stoker’s original novel
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Henry V Review– A Tentative Opening Night
It is possible that, whether the nation is united or divided, anytime is a good time to perform Henry V.
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NT Live: Julie – It’s Hard To Feel Sorry For The Wealthy London Elite
The latest National Theatre Live broadcast at the Dukes was Julie, based on August Strindberg’s renowned play Miss Julie
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The Importance of Being Earnest Review – Not Quite Earnest Enough
‘In matters of grave importance, style, not sincerity, is the vital thing,’ declares Gwendolen Fairfax, upending the title of Oscar
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Virgin Territory Review- Thought Provoking and Clever
The best events are the ones where the reviews right themselves. This is not usually because they’ve been full
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